We are returning to the artists we've worked with over the years, tracing their educational and professional migration paths. The result is a map spanning approximately 60 European cities. One map marks where artists moved to study, while the other shows where they relocated for work or residence. Of the artists who moved abroad for their education, more than half never returned, settling permanently in their host city or elsewhere. The map makes visible the gravitational pull that certain centres exert and the persistent flows that connect them to the places the artists come from.

Inside the installation, we take a closer look at what these relocations reveal and what the map might mean for artists as migrants. Through the work of Željka Aleksić, Damir Avdagić, Gašper Kunšič, Mila Panić, Maja Simišić, and Saša Tatić—six artists who have been featured in previous issues of ETC. and whose practices engage extensively with migration—we outline some of the realities of living abroad as an artist in search of better conditions to study, work, and live. We interviewed them about their personal experiences with relocation. The questions addressed their reasons for moving, remittance, belonging, and the power dynamics between peripheral art scenes and dominant centers. Their responses are presented alongside the works as fragments of lived experience that exist somewhere between testimony and artistic statement. By addressing different aspects of the artists' migrant experience, we seek to show how relocation is often an ongoing process of cultural negotiation through language, bureaucracy, distance, and the invisible labour of maintaining ties to what was left behind.